SEE ALL TAGS & MOODS
Tonight, a strand of my great-grandmother’s hair
sashes an amber beer bottle discarded by a tourist.
A white thread of my grandmother’s baptismal robe
is a bangle on a wrist of kelp
The ancestors of everyone I’ve let into my body
are gathered in a small room with one window,
no lights. Yes, the room is crowded. Yes, there
are no chairs. Yes, they are talking. Why are we
The hallway is an empty
riverbed, smooth and barren.
At three o’clock classroom
doors open like dams.
Gullies of teens stream
out, to become one
(Falteringly)
Our national bird – for years – was – as A M Klein said –
the rocking chair
I don’t know what our national bird is now – but my totem bird is
Our mother gave us a sack of weed killer
the size of a toddler, and told us
to spread it on the front lawn.
My sister and I lugged it there.
A light cloud of white powder
1
Men prefer an island
With its beginning ended:
Undertones of waves
Trees overbended.
Men prefer a road
Circling, shell-like
Convex and fossiled
We could read your words from anywhere
but you felt like the only soul sitting
in your swivel chair listening to your parents
dream-breathing down the hall while you typed
In some, the luggage lies open
like a mouth mid-sentence.
In others, closed zippers grimace:
What would you have brought?
Slippers, a stuffed platypus, a gold watch
My father threw his language overboard,
a bag of kittens, waterlogged mewling:
small hard bodies.
My mother hung on to hers —
Wove the words like lace, an open web
Not the music.
It is this other thing
I keep from all of them
that matters, inviolable.
I scratch in my journals,
a mouse rummaging through cupboards,
When I was five I was put on a bus
and sent to Catholic school
not unlike my mother who was five
when she was put on a train
and sent to residential school,
both feeling that gut feeling
Weeds are flattened beneath last year’s tire tracks
others lay burden by the winter’s heavy snow.
The crocuses labor through this thick blanket.
I am sun drained from the bleakness
Only the thickness of log
and triple-paned glass
between my children and
the open maw
of a bear.
I slip warm chocolate chip
cookies from the pan
You sit in the forgotten bone-dry hills
surrounded by sand and sagebrush
above Buffalo Pound Lake.
A day and a night, and then
three more days and nights.
Hands pressed to glass
I only know rivers
Waters elongated to the unrumpled recitatif
of endless land
The Bow knows
Has tongued and grooved the firmament, baby,
of this Last Best
It has to be loved the way a laundress loves her linens,
the way she moves her hands caressing the fine muslins
knowing their warp and woof,
like a lover coaxing, or a mother praising.
We had no paper
then, or we had
no pen, or no words. How
to say it. We had
no voice. No listeners.
Just deaf night
At the park I look for Levita,
because our work is the same—
swaying wide-legged over foraging toddlers,
we avert bruises, discourage the consumption
A half-hour.
Thirty minutes.
One thousand eight hundred seconds.
They sat.
had a dozen foster parents
tell me to run from my mother’s truth
The puck skates in on parted-snow ice.
It's the season’s last game, an encore
to stomach winter’s sliver, to shrug off
the townsfolk stares.
The moonlit night is advanced in years
At first there's no lake in the city, at first there are only
elevators, at first there are only constricting office desks;
there are small apartments and hamburger joints and
We’re all aware that human hair is dead
Yet we spend thousands taking care of it.
It’s like an endless funeral.
The moment your hair hits air, it’s toast.
It only lives inside the follicle.
There was busy air there, air
seething through the leaves so,
from farther up, the tree-line shone
like a single scintillating polyhedron.
Still, though ravens and wrens flaked off the top,
Unless you believe in the eye of the needle
this kind of poverty will never be about material
it won't be about ragged clothing
or mud huts with broken walls
or river blindness
What is this this crossing?
In the photo just in front of the train with the crane at the edge of the drop
No one else rescued me. Not my father
or my brother or, years later, the gentle man
who became my husband. Not my mother
or my best friend or any of the women
who listened to me tell my story
The sun gave our shoulder blades ulu-shaped burns, and the sun gives nothing to our sort
I sleep now, and furiously
Clouds excreted shadows on the shoreline, and there were no clouds
My fist holds as many coins
as I can carry. All are stamped with the Queen's effigy;
Elizabeth, D.G. Regina, the resident of pockets,
a woman I've never met though I always know
for auntie nagasaki
it's the same story
told again & again
the modulations
& the machinations
the maudlin
Stepping off the plane in Whitehorse
the last thing I expect to feel
is home
not quite alone
but close enough
here in this great black north.
As we drive away from the airport
Here's how you make pemmican
1. wiyâs
2. pânisâwân
3. kâhkêwak
4. yîwahikanak
5. pimîhkân
big ghosts contra
band my diction war
korea's north sees red as
america flags china's chopped limb
british crowns hong kong
cut for duplicity more capitalist than capitalist
Slim, slight. Sinew and bird bones.
Cords of her hands like spruce roots.
Came from Ship Cove to Crow Gulch
with little more than the child inside her,
landed in a small shack flanked by
After learning “me” and “I”
but well before my father learns
a restraining order's
between him and our home,
we share some good times.
Remember the back of his bicycle.
He wakes up naked and drunk as a bear
on sun-fermented garbage.
Hungover and queasy and riled up by
bees.
Nothing going well today, he moans,
life being short and the craft, ah, long.
I was nine and I stood at the top of the street for no reason except to make the descent of the gentle incline toward my house where I lived with everyone and everything in the world, my sisters and my cousins were with me, we had our bookbags…
A black and white picture
The sun is shining through a window behind you
Your hair black short Your small brown hands folded neatly on a tiny wooden desk
i can barely speak in my mother tongues stutter
my accent is bad
i hate jalebi
but i like aloo samosa
i'm a bad brown
girl i didn't join the
SAA or the ISA
power lines held by birds
of prey the hostile expanse above
ditches teeming floral invasive
wayside fleurs
late summer the shoulder sang
holds breeze by
I come from the land of
Where You From?
My people dispossessed of their stories
and who have died again and again
in a minstrelsy of afterlives, wakes,
the dead who walk, waiting and
Blue-white afternoon. The Bow river churns and smokes
as the city rumbles, economy chokes and bundled homeless
build cardboard homes in the snow. Yes, Walt, this is the new
grass is unusual
it was invented by the Romans
unlike most people grass stays where it grows
if grass had gone to the moon it would be there today
because grass looks luxurious
i ask mama
about residential school
she says no
i ask her again
the third time
i stop listen
to her silence
for M. Maylor
Dear Anne Carson:
My friend read me the poem where your mom
said that the dead walk backwards.
You thought this myth arose from poor translation.
this is the transsensorium
there are indo-robo-women fighting cowboys on the frontier
& winning finally
the premodern is a foundation for the postmodern
wintermute, tessier-ashpool, armitage
the animal in me
is constant.
thirst starts,
hunger answers.
sleep is uncertain,
restless limbs.
in the night,
I hear footsteps.
I recited to him,
Now as I was young and easy,
and in the cough-afflicted wheeze that was left of my father’s voice,
