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A poem that does not follow a consistent meter or rhyme scheme in its structure.
During two hours on the train
I rerun the film of my life
Two minutes per year on average
Half an hour for childhood
Another half-hour for prison
Love, books, wandering
take up the rest
I threw away your letters.
Years ago, just like that.
The tight black swirls,
circles and strokes
filling fine sheets —
I would not see them again.
The last items I had left.
I understand you.
I get what you’re trying to say.
What you’re trying to say is you want me to get it.
I get it. You want me
to understand. You want me to know
I lost my talk
The talk you took away.
When I was a little girl
At Shubenacadie school.
You snatched it away:
I speak like you
I think like you
I create like you
Hello from inside
the albatross
with a windproof lighter
You’d have to pay us
Could you pay us enough
To live for a stretch
The place, the question, the question.
The place, the interest, the question.
There is the place.
There is what you do in the place.
There is your belief.
There’s a joke that ends with — huh?
It’s the bomb saying here is your father.
Now here is your father inside
your lungs. Look how lighter
the earth is — afterward.
— say the names say the names
and listen to yourself
an echo in the mountains
Tulameen Tulameen
say them like your soul
was listening and overhearing
and you dreamed you dreamed
1
an urban image from the eighties
when we hung out at Chez Madame Arthur
The calendar marred with birds and you are kik-kik-kik-kicking all the way into June.
180 days scratched with black X’s and crow’s feet: bird-of-two minds (goodandevil
…
Down a long, long corridor
I keep walking…
—A window straight ahead so bright it hurts the eyes,
side a:
1. 18 and Life
her friend takes her to
yesterday at the Oakland zoo
I was walking alone for a moment
past the enclosure holding the sun bear
i am writing to tell you
that yes, indeed,
we have noticed
We have each tried to read to him, with no success, except for James,
who read him all of Robert Louis Stevenson’s Travels with a Donkey in the
Cévennes
Dear Regret, my leaning this morning, my leather foot, want of
stone, age old, my burnished and bruised, hair lingering, hand
caked, spongy as November, my dear Relentless, my dear Aging,
Your father worked Drumheller while you ate and slept at home.
He travelled the badlands, squatted below rocks, read books
you never knew he read. He sat until his eyes strained to know
GOODLOOKING BOY wasn’t he / yes/ blond /
yes / I do vaguely
/ you never liked
Sometimes we are led through the doorway
by a child, sometimes
by a stranger, always a matter of grace changing
60s pulled us from starvation into government jobs
antiquated Indians in Saskatchewan danced for rain
Manitoba Indian doings were hidden for a jealous
Very loud a mad frenzy The wooden
barrel she rode would have roared
(I first wrote “road”)
— so we said to the somewhat: Be born —
& the shadow kept arriving in segments,
cold currents pushed minerals
oh papa, to have you drift up, some part of you drift up through
water through
fresh water into the teal plate of sky soaking foothills, papa,
the re-invention of oneself
through the tongues of whispering mountains
the re-arrangement of the universe
Here at Woodlands, Moriah,
these thirty-five years later,
still I could smell her fear.
sometimes I find myself
weeping
at the oddest moment
Newfoundland is, or was, full of interesting people.
Like Larry, who would make a fool of himself on street corners
for a nickel. There was the Russian who called himself
No, nothing much has changed.
A year later, the world is still one you’d recognize —
no winged cars to clog the air,
I have not lingered in European monasteries
and discovered among the tall grasses tombs of knights
who fell as beautifully as their ballads tell;
This city is beauty
unbreakable and amorous as eyelids,
in the streets, pressed with fierce departures,
What thoughts I have of you tonight, Walt Whitman, for I walked
down the sidestreets under the trees with a headache self-conscious looking
at the full moon.
For Hetti Corea, 8 years old
‘The Sinhalese are beyond a doubt one of the least musical
people in the world. It would be quite impossible to have
These poems, these poems,
these poems, she said, are poems
with no love in them. These are the poems of a man
He wants to be
a brutal old man,
an aggressive old man,
wandering to the other, wandering
the spiritual realities, skilled in all
ways of contending, he did not search
To Kristin Lems
We miss something now
as we think about it
It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
Cedar and jagged fir
uplift sharp barbs
against the gray
It is 2005, just before landfall.
Here I am, a labyrinth, and I am a mess.
I am located at the corner of Waterway
You are still on the highway and the great light of
noon comes over the asphalt, the gravelled
shoulders. You are on the highway, there is a kind of
At 100 Mile House the cowboys ride in rolling
stagey cigarettes with one hand reining
half-tame bronco rebels on a morning grey as stone
arsenic in calculators, mercury in felt
hats, mad as a poisoned hatter
pyrophoric undercurrent in mundane
It was down that road he brought me, still
in the trunk of his car. I won’t say it felt right,
but it did feel expected. The way you know
The snake can separate itself
from its shadow, move on ribbons of light,
taste the air, the morning and the evening,
Today doves flew from my head
and my hair grew
the longing is gone from my body
At the beginning I noticed
the huge stones on my path
I knew instinctively
I ask them to take a poem
and hold it up to the light
like a color slide
Mornings
before the sun’s liquid
spilled gradually, flooding
Where there’s a wall
there’s a way through a
gate or door. There’s even