PEOPLE'S CHOICE
SEE ALL TAGS & MOODS
As Whitman sang the body electric
Goodwin sings the body forested:
dense stand of dark-trunked saplings
illumined by a blood-streaked sky,
ominous forest where
abandoned children wander
Only the thickness of log
and triple-paned glass
between my children and
the open maw
of a bear.
I slip warm chocolate chip
cookies from the pan
Each day, I am apprenticed to the boy
I want to be.
He rifles the ball
and I catch it
or I fumble.
His red head ducks and weaves,
thinking, end zone.
There, the bolting black kale,
taller than it has any right to be
and not the twitter troll who asked
if you were on your period.
In the corner, a pile of dead
zucchini leaves, spotted with rot
After late-night Li Bo,
on a plane to Houston, out of sheer intumescence
I begin unravelling a sickness bag—
starting with the wired throat,
then the pleated sides, then bottom.
they say we are a family that is good at death / i make a decision to hold
a seminar on how to live / i schedule this party for my uncles on the first
day of spring / my dead uncles play hooky with the afterlife
it's okay if you only learned about your culture from Google
it's okay if you only read your language at the public library
Hands pressed to glass
I only know rivers
Waters elongated to the unrumpled recitatif
of endless land
The Bow knows
Has tongued and grooved the firmament, baby,
of this Last Best
At the park I look for Levita,
because our work is the same—
swaying wide-legged over foraging toddlers,
we avert bruises, discourage the consumption
A half-hour.
Thirty minutes.
One thousand eight hundred seconds.
They sat.
had a dozen foster parents
tell me to run from my mother’s truth
I saw a perfect tree today
From my cabin bed on a Via Rail train
Through the North of Ontario
It was tall and thin and scraggly and prim
Then I saw another just as perfect
The puck skates in on parted-snow ice.
It's the season’s last game, an encore
to stomach winter’s sliver, to shrug off
the townsfolk stares.
The moonlit night is advanced in years
Take the thickest socks.
Wherever you're going
you'll have to walk.
There may be water.
There may be stones.
There may be high places
you cannot go without
I triage the landscape. The prairies
are numb today and so am I.
I am too thin. Built
like I won't explode on hot
afternoons, a mirror
to the sky. My body is a hurt
where tall grasses grow, where
Place a foot upon a pedal,
Put your pedal-pushers on;
To the pedal pin a paddle,
Paddle-pedal push upon.
Place the paddle-pedal-cycle
On a puddle in the park;
What's it like at the centre of the AGO?
Hmm. Imagine being coloured, drawn, and placed
in a wooden frame, another hung woman, positioned
just so in the middle of a landscape surrounded by rocks,
My father's speech was slurred most of my childhood — but it's a rite
of passage for many Maritime Canadians
'cause I heard from a friend of a friend that linguists say our accent
Always that spectral fragment. Filament of line cast back there.
Where open-mouthed fish rise to gulp down shiny lures.
I sang once in an auditorium to almost empty rows.
Give me a few more hours to pass
With the mellow flower ofthe elm-bough falling,
And then no more than the lonely grass
And the birds calling.
Give me a few more days to keep
Unknown to you, I walk the cheerless shore.
The cutting blast, the hurl of biting brine
May freeze, and still, and bind the waves at war,
Ere you will ever know, O! Heart of mine,
people arrived from portugal. people arrived from africa. people arrived from
india. people arrived from england. people arrived from china. people
predated arrival. people fled predation. people were arrayed. people populated.
Oh, how she read this. Girl
beloved daughter of daughters
I used to liken a poem to praying. Is that right?
Not the woo and gratitude praying served by queer witches.
Childhood praying. As a girl I genuflected to the tabernacle
There was busy air there, air
seething through the leaves so,
from farther up, the tree-line shone
like a single scintillating polyhedron.
Still, though ravens and wrens flaked off the top,
Unless you believe in the eye of the needle
this kind of poverty will never be about material
it won't be about ragged clothing
or mud huts with broken walls
or river blindness
or murram roads
What is this this crossing?
In the photo just in front of the train with the crane at the edge of the drop
for auntie nagasaki
it's the same story
told again & again
the modulations
& the machinations
the maudlin
Stepping off the plane in Whitehorse
the last thing I expect to feel
is home
not quite alone
but close enough
here in this great black north.
As we drive away from the airport
Here's how you make pemmican
1. wiyâs
2. pânisâwân
3. kâhkêwak
4. yîwahikanak
5. pimîhkân
Slim, slight. Sinew and bird bones.
Cords of her hands like spruce roots.
Came from Ship Cove to Crow Gulch
with little more than the child inside her,
landed in a small shack flanked by
He wakes up naked and drunk as a bear
on sun-fermented garbage.
Hungover and queasy and riled up by
bees.
Nothing going well today, he moans,
life being short and the craft, ah, long.
brash talk on sidewalk
brethren to irreverence
short teeth long stories
~
aspirations high
rolling tape decks tweeters six
by nine speakers deep
I was nine and I stood at the top of the street for no reason except to make the descent of the gentle incline toward my house where I lived with everyone and everything in the world, my sisters and my cousins were with me, we had our bookbags…
A black and white picture
The sun is shining through a window behind you
Your hair black short Your small brown hands folded neatly on a tiny wooden desk
i can barely speak in my mother tongues stutter
my accent is bad
i hate jalebi
but i like aloo samosa
i'm a bad brown
girl i didn't join the
SAA or the ISA
power lines held by birds
of prey the hostile expanse above
ditches teeming floral invasive
wayside fleurs
late summer the shoulder sang
holds breeze by
I come from the land of
Where You From?
My people dispossessed of their stories
and who have died again and again
in a minstrelsy of afterlives, wakes,
the dead who walk, waiting and
Blue-white afternoon. The Bow river churns and smokes
as the city rumbles, economy chokes and bundled homeless
build cardboard homes in the snow. Yes, Walt, this is the new
grass is unusual
it was invented by the Romans
unlike most people grass stays where it grows
if grass had gone to the moon it would be there today
because grass looks luxurious
i ask mama
about residential school
she says no
i ask her again
the third time
i stop listen
to her silence
for M. Maylor
Dear Anne Carson:
My friend read me the poem where your mom
said that the dead walk backwards.
You thought this myth arose from poor translation.
this is the transsensorium
there are indo-robo-women fighting cowboys on the frontier
& winning finally
the premodern is a foundation for the postmodern
wintermute, tessier-ashpool, armitage
the animal in me
is constant.
thirst starts,
hunger answers.
sleep is uncertain,
restless limbs.
in the night,
I hear footsteps.
the law mandates that a hate crime only be classified as such if there
is ample evidence to show that one’s actions were motivated by
prejudice toward an individual’s nationality, ethnicity, sexuality,
gender, etc.
love is a moontime teaching
is your kookum’s crooked smile when you pick up the phone
is another word for body
body is another word for campfire smoke
My Black heroes don’t drop names like Fendi Gucci Prada
My Black sheroes rock afros like Angela Davis and Assata
But my sheroes are more than a trend and they’re bigger than a hairstyle
