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A black and white picture
The sun is shining through a window behind you
Your hair black short Your small brown hands folded neatly on a tiny wooden desk
power lines held by birds
of prey the hostile expanse above
ditches teeming floral invasive
wayside fleurs
late summer the shoulder sang
holds breeze by
the spirit of
your flowers is
my favourite shelter
we were in love is
the main
thing
You wanted to be so hungry, you would break into branches,
and have to choose between the starving month’s
nineteenth, twenty-first, and twenty-third evenings.
I come from the land of
Where You From?
My people dispossessed of their stories
and who have died again and again
in a minstrelsy of afterlives, wakes,
the dead who walk, waiting and
Blue-white afternoon. The Bow river churns and smokes
as the city rumbles, economy chokes and bundled homeless
build cardboard homes in the snow. Yes, Walt, this is the new
it’s rank it cranks you up
crash you’re fracked you suck
shucks you’re wack you be
all you cracked up to be
dead on arrival
overdosed on whatever
excess of hate and love
bear with me it wasn’t long ago I was brainless
lazily pulling fireflies into my teeth chewing them
into pure light so much of me then was nothing
grass is unusual
it was invented by the Romans
unlike most people grass stays where it grows
if grass had gone to the moon it would be there today
because grass looks luxurious
for M. Maylor
Dear Anne Carson:
My friend read me the poem where your mom
said that the dead walk backwards.
You thought this myth arose from poor translation.
somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which…
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
Should lanterns shine, the holy face,
Caught in an octagon of unaccustomed light,
Would wither up, an any boy of love
If I am judged
If I am punished
If I am dismissed
If I am misunderstood
If I am celebrated
If I am envied
If I am competed with
If I am slandered against
If I am seen
Whereas my eyes land on the shoreline of “the arrival of Europeans in North America
opened a new chapter in the history of Native Peoples.” Because in others, I hate the act
love is a moontime teaching
is your kookum’s crooked smile when you pick up the phone
is another word for body
body is another word for campfire smoke
Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving. Blackberries
Let the world’s sharpness, like a clasping knife,
Shut in upon itself and do no harm
In this close hand of Love, now soft and warm,
And let us hear no sound of human strife
It little profits that an idle king,
By this still hearth, among these barren crags,
Match’d with an aged wife, I mete and dole
Unequal laws unto a savage race,
My Black heroes don’t drop names like Fendi Gucchi Prada
My Black sheroes rock afros like Angela Davis and Assata
But my sheroes are more than a trend and they’re bigger than a hairstyle
for Alton Sterling, Andrew Loku, Philando Castile, et al.
I wanna live, son. But which son are you?
There where the rivers are made
of moonshine and the lights still wait,
Blousy guitar I don’t want to count the beats Hey Hey
My pen I have bed hair in the best way Daughter
of sunlight and air and I’m glad you were born
on this day or put another way: that you were
In my dream my mother comes with me.
We are in the meadows we call
The Flats, walking the dogs.
Walk straight past the water trough,
she says, do not engage the moss.
i twist and gasp
open and close my mouth
searching for air
whenever a sturgeon is caught in the rainy river
i know
the feel of strange hands touching my body
the struggle
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It’s the first day of summer and we’re so happy
To see the sun and the satchel of colours it schleps
All those dark kilometres. The sky is so blue
And the sea is blue and the small islands in the sea
During two hours on the train
I rerun the film of my life
Two minutes per year on average
Half an hour for childhood
Another half-hour for prison
Love, books, wandering
take up the rest
a)
he played injun in gods country
where boys proved themselves clean
dumb beasts who could cut fire
out of the whitest sand
he played english across the trail
It is the story of the falling rain
to turn into a leaf and fall again
it is the secret of a summer shower
to steal the light and hide it in a flower
and every flower a tiny tributary
I lost my talk
The talk you took away.
When I was a little girl
At Shubenacadie school.
You snatched it away:
I speak like you
I think like you
I create like you
take the moon
nd take a star
when you don’t
know who you are
paint the picture in your hand
nd roll on home
take my fear
nd take the hunger
take my body
(for the Chinese maroons, British Columbia, 1999–2001)
if you arrive in the belly of a rusting imagination, there are grounds to
outlaw you. but Canada is a remix B-side chorus in the globalization
The place, the question, the question.
The place, the interest, the question.
There is the place.
There is what you do in the place.
There is your belief.
There’s a joke that ends with — huh?
It’s the bomb saying here is your father.
Now here is your father inside
your lungs. Look how lighter
the earth is — afterward.
— say the names say the names
and listen to yourself
an echo in the mountains
Tulameen Tulameen
say them like your soul
was listening and overhearing
and you dreamed you dreamed
In the empty classroom, at sunrise, a girl
sits on the floor, staring at a glockenspiel.
She’s shredding the cuticles on her left hand
Would I have seen her?
The tide tugging her gently past
the Comfort Inn; houses, tall and gabled,
This is our welfare half
a duplex with mint green
siding shrugged between
K was supposed to come with the key, I was
to wait outside the gate. I arrived on time,
the time we had agreed on and waited, as agreed,
Praise the rain, the seagull dive
The curl of plant, the raven talk-
Praise the hurt, the house slack
An ars poetica
I remember the death, in Russia,
of postage stamps
I have a picture of us when we are seven
but we aren’t in it. At the time it was taken
we thought we were. We posed with our wide
Let’s say the fix was in. Let’s say history, Being human and thus short on ideas, Made change from an old bag of tricks. Say this
But I do come to Trillium. To the Cardiac Short Stay Unit where you’ve been sent for the second stent, where free sanitizer prevents the spread of panic.
(a twelve-tone poem)
trite yap show
rosy twit heap
I am awake between stiff
sheets tonight in room thirty
four, listening to the heat
with the tip of my spring tongue, ayîki
your mouth will be the web
catching apihkêsis words,
We cannot know this statue, this satyr
with his head propped on a wineskin;
we cannot know if he dreams. In fact,