PEOPLE'S CHOICE
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The use of vivid visual images.
On TV it looked like a high-speed photo of a milk drop
the dying leader of the Pana Wave laboratory cult smack in the
centre.
Acres of white cloth streamered his followers, who
I’ve known rivers:
I’ve known rivers ancient as the world and older than the
flow of human blood in human veins.
My soul has grown deep like the rivers.
The river is famous to the fish.
The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.
The cat sleeping on the fence is famous to the birds
After the celebrations,
people, TV channels, telephones,
the year’s recently-corrected digit
finally falls asleep.
Between the final night and the first dawn
a jagged piece of sky
That feeling of my soul getting yanked
I wonder where my soul hides when I’m sick
My heart feels as if it’s getting beat up
Is it because the restless ocean is clumping up?
An eagle egg fell into a farmer’s chicken shed
and when it hatched the farmer gave it chicken feed
even though he was the king of birds. The farmer
clipped the eaglet’s princely beak and raised him
I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
scurried around a classroom papered with poems.
Even the ceiling, pink and orange quilts of phrase...
they introduced one another, perched on a tiny stage
to read their work, blessed their teacher who
’Twas on a lofty vase’s side,
Where China’s gayest art had dyed
The azure flowers that blow;
That red bicycle left in an alley near the Ponte Vecchio,I claim; I claim its elongated shadow, ship crested onstacked crates; I claim the sour-mouth Arno and the stonearch bending sunlight on vanished medieval fairs;
i as in sow a muskrat tooth back into jawi as in dented pumpkin memoryi as in deflated basketball consciousnessi as in anaphoric internet parrot projection loopi as in holding uterine lining above a toilet bowl
We have no need
for scientists to
tell us things
we already
know
like the
sea is
rising
and the
water is
getting warm.
My imaginary brother speaks of our migration and history,how time pulses like the green waterin the South Saskatchewan that sputters by our home,success measured in how still he’d lie after wandering
My father’s green Pontiac
in this house
the body of a poem, still warm,
hangs on the nail of the mundane
touched to its core
like a reproach, like proof,
that i was here
and you were here
Source of echo
madman of prophecies
buffering nonsense
in absence of anything
solid as a cloud
flung
from the womb
pale pallid asteroid
belt of nanny goat
His beard: an avalanche of honey
an avalanche
of thorns. In a bar too close to the Pacific,
It was clearly understood,
there was no ownership of land,
so clearly does the land, in fact, own me.
My water from the river and my nitrogen,
a buffalo protein.
It turns out there wasn't a door, so she stood looking at the wall, and then
at the ground, and then again at the wall, and then about the sky. The sky
was doorless, which was comforting, especially at night, when she could
There's a general presumption that rhyme is an affair of
two. Most expected are, of course, end-rhymes in formal
structures—ABAB, etc., but even thinking more loosely,
Poems about night
and related poems. Paintings
about night,
sleep, death, and
I'll tell you how it was, what she remembers:
the scent of rhubarb and strawberries in the wild
where she hid and the cries of the murdered,
they do not want to die away. If possible,
I left the protection
of my plan & my
thinking. I let my self
go. Is this the hope I
thought. Light fled.
We have a world
to lose I thought.
Summer fled. The
some ekphrastic evening, this will be both criticism and poetry and
failing that fall somewhere that seems like in between. this both/
and and/ or neither/ nor machine comes in having been touched
in the broadest conception
of black music, which is the
truest conception of black
music, black music can't be
conceived. a music of covers,
black music covers, and cover
"weeping blooms
stop at the edge of everything—bend down and stick your hands in the dirt.grab a fist full of soil and pull it close: inhale.
Twenty-four years agoI tried to kill myselfbut with my usual incompetencedid not manage to.
When my husband
lay dying a mountain
a lake three
cities ten years
and more
lay between us:
There were our
sons my wounds
and theirs,
It is told and retold
of how Kohkum killed a bear with a river rock
an arm like Ronnie Lancaster (that old Saskatchewan Roughrider)
she throws with precision
at Muskwa’s third eye
Sunbeams aren’t something I notice.
Mostly it’s my own breasts, bobbing with effort
like I’m a man writing the story of a woman
and the way her nipples strain politely
This is a prayer for the dead and dying -
and those that may never know a life on the outside
I hope your sins don’t meet you at your grave -
I am the Smoke King
I am black!
I am swinging in the sky,
I am wringing worlds awry;
I am the thought of the throbbing mills,
I am the soul of the soul-toil kills,
this is the growing of things birthing of skin
and bone stem and leaf this is planet
earth beneath snowlight and desert sand
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
the task given to me when all
the ice had melted was to
welcome the sky people to
the river and to show them
how to fish and how to
build a fire to warm
themselves.
I moved on and came across
We climb up the rusting ladder,
Mexican beer forced into waistbands,
and lie on the cooling roof
count our personal galaxies
far high LEDs, billboards, dreams.
what a glory feeling it is to sit in the sun by the oceanside
as tulugait and naujait sing circling above
and scrape skins with centuries of arnait guiding my ulu
Tucked away in our tiny bedroom so near each other
the edge of my prayer rug covered the edge of his, my
brother and I prayed. We were 18 and 11 maybe, or 19
and 12. He was back from college where he built his own
Do you believe in the ghosts of aunties and uncles that drive old sin-
gle-bench pickup trucks spotted with bullet-hole rust, sweetgrass and
It takes eight matches, a burnt thumb, and a quick Google search
to light the sweetgrass braid Mom scored for me from an elder
at work. Always use matches, she said. Spirit likes matches.
Do you speak your language?
I stare — I just said: how are you?
I thought English was my language
apparently it isn’t
I thought Halkomelem was gibberish
the devil’s language
What struck me first was the sheer numbers, queers everywhere.
Battalions of sailors and infantry, proud in their uniforms.
Eventually, I made uneasy peace with this equal right.
The morning coffee. I’m not sure why I drink it. Maybe it’s the ritual
of the cup, the spoon, the hot water, the milk, and the little heap of
brown grit, the way they come together to form a nail I can hang the
…
i wanted bitumen to be made of dead dinosaurs. why did i want these
ancient kin to be passively implicated in the fossil fuel industry? it
My mother never forgave my father
for killing himself,
especially at such an awkward time
and in a public park,
that spring
when I was waiting to be born.
She locked his name
For thirty-one years, my mother tried not to miss her. Every week,
a little water or the trickle of a few ice cubes
dropped
in black earth. Years back, in the muck of Toronto, April,
When the doctor suggested surgery
and a brace for all my youngest years,
my parents scrambled to take me
to massage therapy, deep tissue work,
osteopathy, and soon my crooked spine
