SEE ALL TAGS & MOODS
The use of vivid visual images.
When my husband
lay dying a mountain
a lake three
cities ten years
and more
lay between us:
There were our
sons my wounds
and theirs,
It is told and retold
of how Kohkum killed a bear with a river rock
an arm like Ronnie Lancaster (that old Saskatchewan
Roughrider)
she throws with precision
Sunbeams aren’t something I notice.
Mostly it’s my own breasts, bobbing with effort
like I’m a man writing the story of a woman
and the way her nipples strain politely
This is a prayer for the dead and dying -
and those that may never know a life on the outside
I hope your sins don’t meet you at your grave -
I am the Smoke King
I am black!
I am swinging in the sky,
I am wringing worlds awry;
I am the thought of the throbbing mills,
I am the soul of the soul-toil kills,
this is the growing of things birthing of skin
and bone stem and leaf this is planet
earth beneath snowlight and desert sand
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
the task given to me when all
the ice had melted was to
welcome the sky people to
the river and to show them
how to fish and how to
build a fire to warm
themselves.
I moved on and came across
We climb up the rusting ladder,
Mexican beer forced into waistbands,
and lie on the cooling roof
count our personal galaxies
far high LEDs, billboards, dreams.
what a glory feeling it is to sit in the sun by the oceanside
as tulugait and naujait sing circling above
and scrape skins with centuries of arnait guiding my ulu
Tucked away in our tiny bedroom so near each other
the edge of my prayer rug covered the edge of his, my
brother and I prayed. We were 18 and 11 maybe, or 19
and 12. He was back from college where he built his own
Do you believe in the ghosts of aunties and uncles that drive old sin-
gle-bench pickup trucks spotted with bullet-hole rust, sweetgrass and
It takes eight matches, a burnt thumb, and a quick Google search
to light the sweetgrass braid Mom scored for me from an elder
at work. Always use matches, she said. Spirit likes matches.
Do you speak your language?
I stare — I just said: how are you?
I thought English was my language
apparently it isn’t
I thought Halkomelem was gibberish
the devil’s language
What struck me first was the sheer numbers, queers everywhere.
Battalions of sailors and infantry, proud in their uniforms.
Eventually, I made uneasy peace with this equal right.
The morning coffee. I’m not sure why I drink it. Maybe it’s the ritual
of the cup, the spoon, the hot water, the milk, and the little heap of
brown grit, the way they come together to form a nail I can hang the
…
i wanted bitumen to be made of dead dinosaurs. why did i want these
ancient kin to be passively implicated in the fossil fuel industry? it
My mother never forgave my father
for killing himself,
especially at such an awkward time
and in a public park,
that spring
when I was waiting to be born.
She locked his name
For thirty-one years, my mother tried not to miss her. Every week,
a little water or the trickle of a few ice cubes
dropped
in black earth. Years back, in the muck of Toronto, April,
When the doctor suggested surgery
and a brace for all my youngest years,
my parents scrambled to take me
to massage therapy, deep tissue work,
osteopathy, and soon my crooked spine
my mother found herself one late summer
afternoon lying in grass under the wild
yellow plum tree jewelled with sunlight
she was forgotten there in spring picking
rhubarb for pie & the children home from
You wouldn’t fit in your coffin
but to me it was no surprise.
All your life you had never fit in
anywhere; you saw no reason to
begin fitting in now.
When I was little I remember
The fish are drifting calmly in their tank
between the green reeds, lit by a white glow
that passes for the sun. Blindly, the blank
glass that holds them in displays their slow
That night, I opened your wardrobe and found
a trophy of vultures, their necks pierced
by hanger hooks. I saw at once
that you hunted everything I loved —
The meteorologists are pleading with us
to keep checking back through the storm,
ice pellets making a carpet two, three inches thick,
this pale beach we walk on, this wind that passed
I.
Leaves, asleep under wind:
a ship for the wound.
The wound
glories in these ruinous times.
Trees growing in our own eyelashes
a lake for the wound.
The wound shows up in bridges
The sludge-slow flow of the visible current
opens a path we can’t continue, tugs
at what no hand can pull along.
It’s how even water loses memory,
travels a direction it cannot find,
WHAT YOU HAVE HEARD is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the
Weekends too my father roofed poor neighborhoods,
at prices only his back could carry
into profit. In the name of labor’s
virtue—or was it another bill collector’s callous
we are asking you to trust your hands. put them on your heart. trust
your heart. hear what we are saying. trust what you hear. we are
asking you to build a circle. always a circle. not almost a circle. face
i thought you were gone / stupid bird / darling worms shifting in the mud / this time i am not so certain / is it kinship or are you gloating? / have i grown bitter with the bees / how they bring the blooms reliably?
mornings have bulk and that saves them
It’s the season of wine, meadows, and Rose
The court of spring is cleared of choughs and crows
Generous clouds now water Rey[1] more freely than Khotan[2]
On moonlight night
when moon is bright
Beware, Beware—
Moon-Gazer man
with his throw-back head
and his open legs
gazing, gazing
up at the moon
99.
From an original rock painting in Topock, Arizona, now digitized on a
wall-mounted monitor:
Before this city, the Creator pressed his staff
into the earth, and the earth opened—
To Windrim or sycamore
rustle cicada or bark and to Wayne
All day we
practice morse code signals
upon contact / head first / baptismal
the rind of me / peels into ribbons
of foam / and pearls / i re-brown at the water’s
touch / its two-way mudmirror / hands me
its own name / earthliquid / bottomless
We’re driving and the radio says mass marine extinctions within a
generation. No silence, no sirens — an unflustered inflection, then
stock markets, cryptic as Latin mass. I force myself: the interval
Now, we take the moon
into the middle of our brains
so we look like roadside stray cats
with bright flashlight-white eyes
in our faces, but no real ideas
of when or where to run.
at least in our waking life
most commemoration
doubles as force
since even
the most benign
zodiacal conceptions
are tinged eurocentric
when brown women die
We were a conflagration asking
to be incarnated into the world.
Mother, superstitious, kept us
apart, two stones of the same
igneous anger.
Everyone saucered tears
i once shoved my foot through glass
getting to know my own anger
its patches of stupid
bloody love
stress is just a socially acceptable
word for fear
Two dicks, sitting in
my daughter’s inbox,
like men without hats,
waiting for any door
to open.
*
Sighting a stranger’s penis
used to be rare. Remember raincoats?
Tonight, a strand of my great-grandmother’s hair
sashes an amber beer bottle discarded by a tourist.
A white thread of my grandmother’s baptismal robe
is a bangle on a wrist of kelp
The ancestors of everyone I’ve let into my body
are gathered in a small room with one window,
no lights. Yes, the room is crowded. Yes, there
are no chairs. Yes, they are talking. Why are we
The hallway is an empty
riverbed, smooth and barren.
At three o’clock classroom
doors open like dams.
Gullies of teens stream
out, to become one
(Falteringly)
Our national bird – for years – was – as A M Klein said –
the rocking chair
I don’t know what our national bird is now – but my totem bird is
