SEE ALL TAGS & MOODS
The use of vivid visual images.
As Whitman sang the body electric
Goodwin sings the body forested:
dense stand of dark-trunked saplings
illumined by a blood-streaked sky,
ominous forest where
abandoned children wander
What do they think about you,
the people who pass you on the street?
What would you like them to see?
They see the druggie, the whore, the junkie.
Weeds are flattened beneath last year’s tire tracks
others lay burden by the winter’s heavy snow.
The crocuses labor through this thick blanket.
I am sun drained from the bleakness
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
Only the thickness of log
and triple-paned glass
between my children and
the open maw
of a bear.
I slip warm chocolate chip
cookies from the pan
Each day, I am apprenticed to the boy
I want to be.
He rifles the ball
and I catch it
or I fumble.
His red head ducks and weaves,
I remember my birth
like it was tomorrow, the unholy sensation
“I saw my land in the morning
and O but she was fair”
- M.G. Smith, “Jamaica” (1938)
I
Come see my land
It is like an exquisite spider web, this world, but I
don't get trapped.
I have ceased to tie the strings of one shoe to
another in the morning,
There, the bolting black kale,
taller than it has any right to be
and not the twitter troll who asked
if you were on your period.
In the corner, a pile of dead
zucchini leaves, spotted with rot
11 am. Time to wake up.
Muscles sore, jaw clenched, warm light
scattering dreams of violence across
the bedroom. I've chosen a self
After late-night Li Bo,
on a plane to Houston, out of sheer intumescence
I begin unravelling a sickness bag—
starting with the wired throat,
then the pleated sides, then bottom.
Freezes, goes blue screen, shuts down. Dead pixel, dark.
Ghost echoes, lossy in the source code. Time zones away,
people who have actually shaken hands with my online friend
You gasp, awakened by
a bucket of cold water.
A gauzy autumn morning. A drained sunrise.
You shiver, strain to see the house
parent’s fingers whipping & flicking in
they say we are a family that is good at death / i make a decision to hold
a seminar on how to live / i schedule this party for my uncles on the first
My father liked them separate, one there,
one here (allá y aquí), as if aware
that words might cut in two his daughter’s heart
(el corazón) and lock the alien part
as children
we learned to stand on one leg
clasping bundles of hope between our teeth
not because we wanted
to resemble flocks of black flamingos
Love, you ask too many questions.
Let’s agree: we are whole
Before dawn,
I pick you up,
then bring you closer.
My fingers slowly roll
over your body,
removing seeds attached to you,
free them into the air.
I hear you sigh
It has to be loved the way a laundress loves her linens,
the way she moves her hands caressing the fine muslins
knowing their warp and woof,
like a lover coaxing, or a mother praising.
We had no paper
then, or we had
no pen, or no words. How
to say it. We had
no voice. No listeners.
Just deaf night
At the park I look for Levita,
because our work is the same—
swaying wide-legged over foraging toddlers,
we avert bruises, discourage the consumption
had a dozen foster parents
tell me to run from my mother’s truth
sam says you can’t name your book good boys without a dog
but sam doesn’t know that i am the dog
i am the ultimate mutt and i am telling him this story
9
How to describe sea
To someone who’s never seen it?
He lives to ninety-nine, he wants it, to see it
To walk on its glass surface, to blow the seven trumpets.
The puck skates in on parted-snow ice.
It's the season’s last game, an encore
to stomach winter’s sliver, to shrug off
the townsfolk stares.
The moonlit night is advanced in years
Take the thickest socks.
Wherever you're going
you'll have to walk.
There may be water.
There may be stones.
There may be high places
you cannot go without
Scrape the inside of sleep the belly wall
tasting like yoghurt cooked broccoli
its emptiness leaving something
on the tongue. Escaping the body
that wants to quit from the inside.
Your wedding day was a hurricane; your bride in red was like a kiss on
on the dry prairie dirt. You actually never told me the story of how it went.
The wedding, I mean. In fact, you never told me about how you chose
Dad has creases on his hands so thick they could split with a
poke. He gestures for me to try so I do. His skin bends on a
hinge and out spills every good and bad thing: cattails from our
I triage the landscape. The prairies
are numb today and so am I.
I am too thin. Built
like I won't explode on hot
afternoons, a mirror
to the sky. My body is a hurt
where tall grasses grow, where
The night America took off her mask
we slept together poorly. I'd woken up early
that Tuesday, dragged myself to a gymnasium
in Jersey City to cast my vote into the void.
I'd like to close the distance between us:
where you end, where I begin,
but your skin stops me,
I can't find my way in.
If I could, I'd press every bit of me
2345*.
The river is my sister—I am its daughter.
It is my hands when I drink from it,
my own eye when I am weeping,
and my desire when I ache like a yucca bell
If you want to travel run
around the neighbourhood with an empty
suitcase in hand. At least once, full circle.
Wear yellow underwear
for the 31st, lest fortune oversee your cup
Bismillah is my first memory.
I became a bird in the Qur’an
at hardly eight years old.
I opened the dark green cover
and revealed the slippery
On the lee slope of the small coastal mountain
which conceals the sun the first hour after its rising,
in the dry, steep ravines, the live
mist of the heat is seething like dust
left over from an earlier world.
my mother occupies the passenger seat. my brother and i
stick in the back.
in the south hebron hills the slanted hills
recall old songs, and the women collect
them like rain. the men have two-syllable
My father's speech was slurred most of my childhood — but it's a rite
of passage for many Maritime Canadians
'cause I heard from a friend of a friend that linguists say our accent
Always that spectral fragment. Filament of line cast back there.
Where open-mouthed fish rise to gulp down shiny lures.
I sang once in an auditorium to almost empty rows.
l am
gap tooth black girl
back corner of class
scribbling left-handed
poetry on blank paper
save the school's
curriculum for later
I am
A.k.a.
the other gold.
Now that's the stuff,
Give me a few more hours to pass
With the mellow flower ofthe elm-bough falling,
And then no more than the lonely grass
And the birds calling.
Give me a few more days to keep
Unknown to you, I walk the cheerless shore.
The cutting blast, the hurl of biting brine
May freeze, and still, and bind the waves at war,
Ere you will ever know, O! Heart of mine,
My poem without me in it—would it be like
my room when I had returned to it
after my mother was done with me.
Under my bed, only the outer
space balls, of dust, only
I wear a peineta & pin a mantilla to my hair
I want to be Conchita Piquer warning women
about becoming lemons. The goal: tener alguien
quien me quiera. I want to be my mother singing me
people arrived from portugal. people arrived from africa. people arrived from
india. people arrived from england. people arrived from china. people
absence. displacement.
waiting. then comes rejection.
anger follows. shame makes
the beds
the shadows jostle between
the walls of the scarcely visited cities.
my mother used to make little rice balls
for me. she steamed and clattered about the
cramped mustard kitchen, filling a pot with
water, swelling and salting and songing
