PEOPLE'S CHOICE
SEE ALL TAGS & MOODS
The use of vivid visual images.
I wear a peineta & pin a mantilla to my hair
I want to be Conchita Piquer warning women
about becoming lemons. The goal: tener alguien
quien me quiera. I want to be my mother singing me
people arrived from portugal. people arrived from africa. people arrived from
india. people arrived from england. people arrived from china. people
absence. displacement.
waiting. then comes rejection.
anger follows. shame makes
the beds
the shadows jostle between
the walls of the scarcely visited cities.
my mother used to make little rice balls
for me. she steamed and clattered about the
cramped mustard kitchen, filling a pot with
water, swelling and salting and songing
Oh, how she read this. Girl
I used to liken a poem to praying. Is that right?
Not the woo and gratitude praying served by queer witches.
Childhood praying. As a girl I genuflected to the tabernacle
There is a mouse under the sink
Little mouse turds around in the kitchen drawers
It is raining, storming
The refrigerator
has gone to the dump
Donald's back
A view from two sides of Polaris, it is said:
I've dreamt of you so often that you become unreal.
Is there still time to reach this living body and to kiss on its mouth the birth of
the voice so dear to me?
At first there's no lake in the city, at first there are only
elevators, at first there are only constricting office desks;
there are small apartments and hamburger joints and
We’re all aware that human hair is dead
Yet we spend thousands taking care of it.
It’s like an endless funeral.
The moment your hair hits air, it’s toast.
It only lives inside the follicle.
Day thirty-nine
The thing that death gave you —
your face leaks
your face overflows
Your face is the grave of your nose
your face is the grave of your ears
There was busy air there, air
seething through the leaves so,
from farther up, the tree-line shone
like a single scintillating polyhedron.
Still, though ravens and wrens flaked off the top,
— “mu” twenty-eighth part —
On Antiphon Island they lowered
the bar and we bent back. It
wasn't limbo we were in albeit
for Roger Caillois
Water hollows stone,
wind scatters water,
stone stops the wind.
Water, wind, stone.
Wind carves stone,
Unless you believe in the eye of the needle
this kind of poverty will never be about material
it won't be about ragged clothing
or mud huts with broken walls
or river blindness
What is this this crossing?
In the photo just in front of the train with the crane at the edge of the drop
The young sun’s greeting
On my bed, your letter’s glow
All the sounds that burst from morning
Blackbirds’ brassy calls, jingle of gonoleks
Your smile on the grass, on the radiant dew.
The sun gave our shoulder blades ulu-shaped burns, and the sun gives nothing to our sort
I sleep now, and furiously
Clouds excreted shadows on the shoreline, and there were no clouds
My fist holds as many coins
as I can carry. All are stamped with the Queen's effigy;
Elizabeth, D.G. Regina, the resident of pockets,
a woman I've never met though I always know
for auntie nagasaki
it's the same story
told again & again
the modulations
& the machinations
the maudlin
Stepping off the plane in Whitehorse
the last thing I expect to feel
is home
not quite alone
but close enough
here in this great black north.
As we drive away from the airport
once i left turtle island and i
rejoined la and doubleU and see
to savai‘i on a hunting trip
on the fairy from upolu
la picked up a day trick
blew him during lunch
Here's how you make pemmican
1. wiyâs
2. pânisâwân
3. kâhkêwak
4. yîwahikanak
5. pimîhkân
Slim, slight. Sinew and bird bones.
Cords of her hands like spruce roots.
Came from Ship Cove to Crow Gulch
with little more than the child inside her,
landed in a small shack flanked by
He wakes up naked and drunk as a bear
on sun-fermented garbage.
Hungover and queasy and riled up by
bees.
Nothing going well today, he moans,
life being short and the craft, ah, long.
Out of their torments men carved a flower
which they perched on the high plateaus of their faces
In Jerusalem, and I mean within the ancient walls,
I walk from one epoch to another without a memory
to guide me. The prophets over there are sharing
the history of the holy ... ascending to heaven
brash talk on sidewalk
brethren to irreverence
short teeth long stories
~
aspirations high
rolling tape decks tweeters six
by nine speakers deep
Ocean, don’t be afraid.
The end of the road is so far ahead
it is already behind us.
Don’t worry. Your father is only your father
until one of you forgets. Like how the spine
A black and white picture
The sun is shining through a window behind you
Your hair black short Your small brown hands folded neatly on a tiny wooden desk
power lines held by birds
of prey the hostile expanse above
ditches teeming floral invasive
wayside fleurs
late summer the shoulder sang
holds breeze by
the spirit of
your flowers is
my favourite shelter
You wanted to be so hungry, you would break into branches,
and have to choose between the starving month’s
nineteenth, twenty-first, and twenty-third evenings.
I come from the land of
Where You From?
My people dispossessed of their stories
and who have died again and again
in a minstrelsy of afterlives, wakes,
the dead who walk, waiting and
He sat cross-legged, weeping on the steps
when Mom unlocked and opened the front door.
O God, he said. O God.
To be a good
ex/current friend for R. To be one last
inspired way to get back at R. To be relationship
advice for L. To be advice
for my mother. To be a more comfortable
bear with me it wasn’t long ago I was brainless
lazily pulling fireflies into my teeth chewing them
into pure light so much of me then was nothing
i ask mama
about residential school
she says no
i ask her again
the third time
i stop listen
to her silence
for M. Maylor
Dear Anne Carson:
My friend read me the poem where your mom
said that the dead walk backwards.
You thought this myth arose from poor translation.
the animal in me
is constant.
thirst starts,
hunger answers.
sleep is uncertain,
restless limbs.
in the night,
I hear footsteps.
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
The whiskey on your breath
Could make a small boy dizzy;
But I hung on like death:
What I adore is not horses, with their modern
domestic life span of 25 years. What I adore
is a bug that lives only one day, especially if
it’s a terrible day, a day of train derailment or
A single flow’r he sent me, since we met.
All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet—
somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which…
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
Should lanterns shine, the holy face,
Caught in an octagon of unaccustomed light,
Would wither up, an any boy of love
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
