It has to be spread out, the skin of this planet,
has to be ironed, the sea in its whiteness;
and the hands keep on moving,
smoothing the holy surfaces.
‘In Praise of Ironing’, Pablo Neruda
It has to be loved the way a laundress loves her linens,
the way she moves her hands caressing the fine muslins
knowing their warp and woof,
like a lover coaxing, or a mother praising.
It has to be loved as if it were embroidered
with flowers and birds and two joined hearts upon it.
It has to be stretched and stroked.
It has to be celebrated.
O this great beloved world and all the creatures in it.
It has to be spread out, the skin of this planet.
The trees must be washed, and the grasses and mosses.
They have to be polished as if made of green brass.
The rivers and little streams with their hidden cresses
and pale-coloured pebbles
and their fool’s gold
must be washed and starched or shined into brightness,
the sheets of lake water
smoothed with the hand
and the foam of the oceans pressed into neatness.
It has to be ironed, the sea in its whiteness
and pleated and goffered, the flower-blue sea
the protean, wine-dark, grey, green, sea
with its meters of satin and bolts of brocade.
And sky – such an O! overhead – night and day
must be burnished and rubbed
by hands that are loving
so the blue blazons forth
and the stars keep on shining
within and above
and the hands keep on moving.
It has to be made bright, the skin of this planet
till it shines in the sun like gold leaf.
Archangels then will attend to its metals
and polish the rods of its rain.
Seraphim will stop singing hosannas
to shower it with blessings and blisses and praises
and, newly in love,
we must draw it and paint it
our pencils and brushes and loving caresses
smoothing the holy surfaces.
P.K. Page sings the praises of planet earth through extended metaphor and delightful constraint.
1. Is the subject, the “it,” the same in the epigraph by Neruda as in the poet’s first lines? What is “it”?
2. The poet uses slant rhyme to fit the constraints of the form at times, elsewhere straight rhyme – can you identify cases of both?
3. Was anything surprising to you about this poem? What images made you feel awake?
4. Are there places where you feel the analogy stretches thin?
5. If you were reciting this poem, would you pause at the end of the lines that don’t have a comma or full stop? Or would you run over into the next line? What parts would you emphasize?
Writing exercise: Try your hand at writing a glosa. Choose four lines from a poem you love, and find the freedom that comes within constraint as you use these lines as scaffolding for a new poem.
Useful links:
https://www.poetryfoundation.org/poets/p-k-page
https://www.youtube.com/watch?v=UWFTFE8Icf0
https://arcpoetry.ca/2010/09/01/every-sensible-and-necessary-image-classic-p-k/
P.K. Page, "Planet Earth" from P.K. Page : poems selected and new. Copyright © 2002 by P.K. Page. Reprinted by permission of the publisher.
Source: P.K. Page : poems selected and new (P.K. Page / The Porcupine's Quill, 2002)