PEOPLE'S CHOICE
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During two hours on the train
I rerun the film of my life
Two minutes per year on average
Half an hour for childhood
Another half-hour for prison
Love, books, wandering
take up the rest
a)
he played injun in gods country
where boys proved themselves clean
dumb beasts who could cut fire
out of the whitest sand
he played english across the trail
It is the story of the falling rain
to turn into a leaf and fall again
it is the secret of a summer shower
to steal the light and hide it in a flower
and every flower a tiny tributary
I lost my talk
The talk you took away.
When I was a little girl
At Shubenacadie school.
You snatched it away:
I speak like you
I think like you
I create like you
take the moon
nd take a star
when you don’t
know who you are
paint the picture in your hand
nd roll on home
take my fear
nd take the hunger
take my body
(for the Chinese maroons, British Columbia, 1999–2001)
if you arrive in the belly of a rusting imagination, there are grounds to
outlaw you. but Canada is a remix B-side chorus in the globalization
The place, the question, the question.
The place, the interest, the question.
There is the place.
There is what you do in the place.
There is your belief.
There’s a joke that ends with — huh?
It’s the bomb saying here is your father.
Now here is your father inside
your lungs. Look how lighter
the earth is — afterward.
— say the names say the names
and listen to yourself
an echo in the mountains
Tulameen Tulameen
say them like your soul
was listening and overhearing
and you dreamed you dreamed
In the empty classroom, at sunrise, a girl
sits on the floor, staring at a glockenspiel.
She’s shredding the cuticles on her left hand
Would I have seen her?
The tide tugging her gently past
the Comfort Inn; houses, tall and gabled,
This is our welfare half
a duplex with mint green
siding shrugged between
K was supposed to come with the key, I was
to wait outside the gate. I arrived on time,
the time we had agreed on and waited, as agreed,
Praise the rain, the seagull dive
The curl of plant, the raven talk-
Praise the hurt, the house slack
An ars poetica
I remember the death, in Russia,
of postage stamps
I have a picture of us when we are seven
but we aren’t in it. At the time it was taken
we thought we were. We posed with our wide
Let’s say the fix was in. Let’s say history, Being human and thus short on ideas, Made change from an old bag of tricks. Say this
But I do come to Trillium. To the Cardiac Short Stay Unit where you’ve been sent for the second stent, where free sanitizer prevents the spread of panic.
(a twelve-tone poem)
trite yap show
rosy twit heap
I am awake between stiff
sheets tonight in room thirty
four, listening to the heat
with the tip of my spring tongue, ayîki
your mouth will be the web
catching apihkêsis words,
We cannot know this statue, this satyr
with his head propped on a wineskin;
we cannot know if he dreams. In fact,
Wheat daughter, prisoner of sneaky pigweed, mother
to the five corners of the world and your three hectares,
beak-nosed carpenter’s wife and the potter’s lover,
Someone waiting in the lobby of a Hotel Imperial amid
the spaciousness tourists and peeling gold leaf
might see it all as too hesitant for truth
side a:
1. 18 and Life
her friend takes her to
We were combatants from the start. Our dad
Bought us boxing gloves when we were ten —
Champions like Euryalus, say, or Epeius
Entirely windless, today’s sea; of these waters’ many names
the best seemed “field-of-pearl-leaves,” for it smelled like the air
in the house he built entirely of doors: pink school door,
The rain this morning pours from the gutters and
everywhere else it is lost in the trees. You need your
glasses to single out what you know is there because
yesterday at the Oakland zoo
I was walking alone for a moment
past the enclosure holding the sun bear
creation stories are lullabies for grown-ups
they remind us of all the possible ways & means
that worlds…
Dear Regret, my leaning this morning, my leather foot, want of
…
Your father worked Drumheller while you ate and slept at home.
He travelled the badlands, squatted below rocks, read books
Coin Exhibit, British Museum.
Their misshapenness strikes the table in tiny splashes,
like still-cooling splatters of silver. Stater and shekel,
Sometimes we are led through the doorway
by a child, sometimes
by a stranger, always a matter of grace changing
Sure, there’s a spell the leaves can make, shuddering,
and in their lying suddenly still again — flat, and still,
like time itself when it seems unexpectedly more
Now I set out across a minefield,
space having taken all I owned, I’m starting over
from a point where every pebble may explode
beneath my shoe and the flowers blaze up
behind my body as I gasp for air,
Here at Woodlands, Moriah,
these thirty-five years later,
still I could smell her fear.
you are unaware of your obscure sources
but you are explicitly sure of the vast sea
as your final destination
No, nothing much has changed.
A year later, the world is still one you’d recognize —
no winged cars to clog the air,
In my body flows the blood of Gallic
Bastille stormers and the soft, gentle
ways of Salish/Cree womanhood.
These poems, these poems,
these poems, she said, are poems
with no love in them. These are the poems of a man
He wants to be
a brutal old man,
an aggressive old man,
wandering to the other, wandering
the spiritual realities, skilled in all
ways of contending, he did not search
To Kristin Lems
We miss something now
as we think about it
Where there’s a wall
there’s a way through a
gate or door. There’s even
Lay down these words
Before your mind like rocks.
placed solid…
They said, ‘You have a blue guitar,
You do not play things as they are.’
The man replied, ‘Things as they are…
There are things you have words for, things you do not
have words for. There are words that encompass all your
feelings & words that…
Thou poem of lost attention and half try,
do you fear more the inner world or outer?
I do…
Sent to the ice after white coats,
rough outfit slung on coiled rope belts,
they stooped to the slaughter: gaffed pups,
